Curiosity and confusion are my main engines in life, but also the key engines in my art.

I explore bodily movements: actions, motions, gestures and reactions; and the embodiment of emotions to create knowledge. My method is experiential, based on perception, observation and experience rather than theory or pure logic.

Movementing involves not only the body, movements and emotions, but also a connection between mind and body in the shape of a physical response called embodied knowledge.

The physical environment is not a space that merely holds the work, rather a whole dimension where I explore, gather and scatter knowledge and experiences. My position in this space is mutable and unstable, yet it lies in the performative realm.